De-noise: Spectral

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IZotope RX 7 Advanced iZotope's famous noise reduction software, designed specifically for the demanding needs of post production professionals, RX 7 Advanced introduces brand new processing powered by machine learning, powerful AudioSuite tools, and multichannel support up to 7.1.2. Dec 06, 2017 Do you have hiss noise in your audio? I show you how to easily remove any hissing noise by using iZotope's RX6 Spectral De-Noise plugin. First I demonstrate how to use the Learn function to grab a.

IZotope, Inc. Is an audio technology company based in Cambridge, Massachusetts, United States.iZotope develops professional audio software for audio recording, mixing, broadcast, sound design, and mastering which can be used in wide range of Digital Audio Workstation (DAW) programs. Dec 27, 2018 The Spectral De-noise plug-in and module in iZotope RX 7 provides natural noise reduction with unparalleled clarity and control.

De-noise gives you control over the level of stationary noise in a recording.

The De-noise module has two modes: Spectral and Dialogue. This chapter relates to the Spectral mode.

Spectral De-noise builds a spectral footprint of noise, then subtracts that noise when a signal’s frequency drops below the threshold defined by the spectral footprint. Stationary noise does not significantly change in level or spectral shape throughout the recording. Stationary noise includes tape hiss, microphone hum, power mains buzz, camera motor noise, fans, highway traffic, and HVAC systems.

Spectral De-noise is a flexible tool that can be used to quickly achieve accurate, high-quality noise reduction. It also gives you the control necessary to tackle problematic noise with separate controls for tonal and broadband noise, management of denoising artifacts, and an editing interface for controlling reduction across the frequency spectrum.

It allows you to learn a noise profile, then increase the amount of reduction to reduce this noise. Once you have a good amount of reduction, you may want to adjust the Threshold slider. While adjusting the threshold, listen for artifacts like pumping (dramatic changes in audio level) or gating (bursts of noise remaining after useful signal).

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Lower thresholds will treat more signal like useful signal, and are useful if you need to preserve audio material that descends gradually into quiet noise (like orchestral tails).

Higher thresholds are useful for achieving more reduction on transient material (like drums or voice).

If your resulting audio sounds like it is missing some life or body, you can try increasing the Quality setting. Quality settings C and D can take advantage of multicore processors to provide fast, high quality offline processing.

If you still hear undesirable artifacts in your results, you can try adjusting the Artifact Control slider. If you hear a musical noise artifact (the watery digital 'space monkey' artifact common to FFT-based denoisers), move the slider more to the right (away from Musical noise). If you hear a gating artifact (like pumping or surges of background noise), move the slider more to the left (away from Gating).

Manual/Adaptive

Manual mode requires the user to train the De-noise module using Learn button. In this mode, the noise profile does stays fixed for the duration of processing.

Adaptive mode will allow the De-noise module to adjust its noise profile based on changes over time in the incoming audio. In this mode, RX will analyze incoming audio for the specified learning time, decide what is noise and what is desired audio material, and adjust its noise profile accordingly. Adapting noise profiles can work well with noise sources that are constantly evolving, particularly in post-production film settings or recordings from outdoor environments. This takes some more memory and computational power, but is helpful for tackling noise that shifts slightly over time (like the sound of street traffic or ocean waves).

For most stationary noise, however, finding a good noise profile manually will yield excellent results. Using Manual mode gives you more control over what makes up your noise profile.

Learn

De-noise needs to learn the type of noise you want to remove from the recording to give you the best results. To train the De-noise module, identify a section of the recording that contains only noise, without any useful audio signal. Often these places are at the beginning or end of a file, but may also be during pauses or breaks in speech.

Select the longest section of noise you can find (ideally a few seconds), then hit the Learn button. This will teach the De-noise module the noise profile of your file.

Note: You can use keyboard shortcuts Control-Shift-4 on a PC or Command-Shift-Option-4 on a Mac in order to train RX's de-noise based on your current selection.

Learning a Noise Profile From More Than One Selection

In the RX standalone application, it is possible to create a spectral profile from multiple isolated selections. This is useful if you have a file where it’s impossible to select enough audio where only noise is present to build the profile.

For example, if you are trying to restore a file where someone is speaking over noise, you can select noise in frequencies where none of the voice is present at any given time. If you select enough of this noise with the Lasso or Brush selection tools, you can create an accurate noise profile that will let you get good results with De-noise. You can create more than one selection at a time by holding Shift and making a selection.

Select noise anywhere you can to build a better noise profile.

This feature is only available in the RX standalone application because it requires using RX’s spectral selection tools as well as accurate calculation of the time and frequency of the selected areas.

If you are unable to create a full noise profile with multiple selections, RX can try to build a reasonable noise profile out of your existing profile. If you have an incomplete noise profile, RX will ask you to if you want it to complete the profile.

For example, if you can only capture a low

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